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Author! Author! :: Anne Mini's Blog
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- A French interview about my memoir!
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- Copywriting your work
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- How do I find a freelance editor?
- How do I find out if an agent is legit?
- Literary Agent X
- Make a scene
- Making back-ups of your book!
- My current favorite new NF book
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- My fabulous agents!
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- My memoir: to be released when?
- My Publishers Marketplace page
- Pimp My Novel
- The most recent interview about my memoir!
- WordHappy
Categories:
- *Start with these posts if you are brand-new to publishing
- *The manuscript formatting rules
- 1-page synopses
- 2-minute pitch
- 3-line pitch
- 5-page synopsis
- Academic writing
- Action scenes
- Advances
- After an agent makes an offer
- After you land a publisher
- After you land an agent
- After you receive a request for pages
- After you submit
- Agency contracts
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- Agency screeners' pet peeves of the notorious variety
- Agents
- Anne's Book Picks
- Anne's favorite posts
- Art Of Revision
- Author bio
- Author! Author! Awards for Expressive Excellence
- Autobiographical fiction
- Avoiding killing your darlings
- Back-up copies
- Backstory and how to work it into a plot
- Bad laughter
- Beginning and ending a book
- Being an agent's dream client
- Binding your work
- Book categories
- Book concept
- Book jackets and the things that go on them
- Book keynote
- Book length
- Book marketing 101
- Book promotion
- Book proposals
- Book publishing basics
- Book tours
- Building blocks of a pitch or query
- Building suspense
- Building your writing résumé
- Business format vs indented paragraphs
- But it really happened that way!
- Calls for submissions
- Censorship subtle and otherwise
- Changing nature of publishing
- Chapter headings and openings
- Character blurring
- Character development
- Cliché avoidance
- Collaboration
- Conference faux pas
- Conference lore
- Conference selection
- Conflict-building
- Constructing a narrative
- Contest entry bugbears
- Contest entry prep
- Contest judging criteria
- Contest rules and how to follow them
- Contest synopsis-writing
- Contest winner tips
- Contests that are worth your time to enter
- Copyright issues
- Cover letters for submissions
- Craft and plenty of it
- Creating sufficiently odious antagonists
- Critique groups
- Dark comedy
- Dated manuscripts
- Deadlines and how to meet them
- Dealing with fear of rejection
- Dealing with readers' reactions to one's books
- Dealing with rejection
- Dialogue that adds to the scene
- Dialogue that moves quickly
- Dialogue that moves TOO quickly
- Dialogue that rings true
- Dialogue-only scenes
- Drama vs melodrama
- E-mailed submissions
- E-mailing queries
- Editing dialogue
- Editing for clarity
- Editing for complexity
- Editing for freshness
- Editing for length
- Editing for pacing
- Editing for style
- editing memoir
- Editing the opening pages
- Editing your synopsis for length
- Editors
- Elevator speech
- Ellipsis use
- Epigraphs
- Ergonomics
- Exclusives and multiple submission
- Exclusives to agents
- False suspense
- Fee-charging agencies
- Feedback incorporation
- Feedback that's actually helpful
- Finances for writers
- Finding agents to query
- Finding the right contest to enter
- Finding time to write
- First pages agents tend to dislike
- First pages that grab
- First-person narration
- Flashbacks
- Form-letter rejections
- Formatting manuscripts
- Frankenstein manuscripts
- Freelance editors
- Freelance writing
- Freshness in manuscripts
- Genre fiction
- Getting a book published basics
- Getting a book reviewed
- Getting good at accepting feedback
- Getting good feedback
- Getting paid for your writing
- Getting started on your next book
- Getting that submission out the door
- Great gifts for writers
- Guest blogs & interviews
- Guidelines for posting comments
- Hallway pitching
- Hollywood hooks
- Hollywood narration
- Hooks
- How can I tell if an agent is reputable?
- How do I find a freelance editor?
- How do manuscripts get published?
- How long before the request for pages expires?
- How long is too long for a manuscript?
- How much of a book must be written before I can pitch or query it?
- How NOT to write a first page
- How soon must I send requested materials?
- How the publishing industry works — and doesn't
- How to format a book manuscript
- How to format a book proposal
- How to format a title page
- How to put together a query packet
- How to put together a submission packet
- How to read an agency listing
- How to set up book signings
- How to write a 1-page synopsis
- How to write a book proposal
- How to write a nonfiction synopsis
- How to write a pitch
- How to write a pitch at the last minute
- How to write a query letter in a hurry
- How to write a really good query letter
- How to write a really good synopsis
- How to write a synopsis for a contest
- How to write a synopsis in a hurry
- How to write an author bio
- Identifying your target market
- Independent presses
- Industry etiquette
- Industry terminology
- Interview scenes that work
- Interviews & guest blogs
- Is it OK to query several agents at once?
- Is it OK to submit to several agents at once?
- Italics and when they are correct to use
- Jargon usage
- Keeping the faith
- Legal issues for writers
- Let's talk about this
- Letters in manuscripts
- Literary fiction
- Literary fiction marketing
- Literary fiction synopses
- Mailing requested materials
- Manuscript formatting 101
- Manuscript formatting like a pro
- Manuscript megaproblems
- marketing plan
- Medical issues for writers
- Meeting fellow writers and other kindred spirits
- Memoir book proposals
- Memoir contest entries
- Memoir craft and marketing
- Memoir openings and structure
- Memoir synopsis-writing
- Millicent? Who the heck is Millicent?
- Multi-book contracts
- Multiple protagonists
- Multiple-protagonist novels
- Must Reads
- My memoir's saga
- My novel's road to publication
- Naming characters
- Nom de plume usage
- Nonfiction contest entries
- Nonfiction marketing
- Nonfiction proposals
- Nonfiction querying
- Nonfiction synopses
- Nonfiction technique
- Numbers in manuscripts
- Originality in manuscripts
- Pacing a scene
- Page numbering
- Partials
- Passive protagonists
- Passive voice and why you should eschew it
- Perspective switching
- Picking up the pace
- Pitch examples
- Pitch for an agent or editor meeting
- Pitching 101
- Pitching a multiple protagonist novel
- Pitching faux pas
- Pitching or querying memoir
- Pitching or querying nonfiction
- Pitching tips
- Pitching: basic how-to
- Pitching: the master class
- Platform
- Plausibility
- Plot development
- Plugs for Readers' Work
- Poetry formatting
- Point of view choices
- Present-tense narratives
- Print-on-demand (POD)
- Proofreading
- Protagonist likability
- Protagonist memorability
- Public readings
- Publishing contracts
- Pulling the reader out of the story
- Punctuation and grammar of the non-standard variety
- Purging protagonist passivity
- Query letter troubleshooting
- Query letters 101
- Query letters illustrated
- Query packets and things that go in them
- Querying
- Querying a multiple protagonist novel
- Querying ethics
- Querying fatigue
- Querying faux pas
- Querying multiple agents at once
- Querying or submitting to US agencies from outside the US
- Quoting other writers in your work
- Real stories told as fiction
- Realistic dialogue
- Realistic expectations for writers
- Referrals to agents
- Rejection and how to cope with it
- Rejection letters decoded
- Rejection on page 1
- Rejection: when they don't tell you at all
- Rejection: when they don't tell you why
- Repetitive strain injuries
- Requested materials
- Requested revisions
- Responses from book readers
- Revise and resubmit
- Revision burnout
- Revision tips
- Royalties and how they work
- Sagging in the middle
- SASE guidelines
- Secondary characters
- Self-publishing
- Should I be worried about my work being stolen?
- Show don't tell
- Simultaneous submissions
- Slug line
- Slush piles and why they no longer exist
- Small publishers
- Standard format basics
- Standard format for poetry
- Standard format illustrated
- Strategizing a writing career
- Submission
- Submission avoidance
- Submission fatigue
- Submission packets
- Submission troubleshooting
- Submissions and exclusive requests
- Submitting to a small publisher
- Suspense-building
- Synopses
- Synopses illustrated
- Synopsis formatting
- Synopsis length when in doubt
- Synopsis troubleshooting
- Synopsis-writing 101
- Synopsis-writing stumbling blocks
- Tag lines and how to minimize them
- Target audience
- Telling details
- Tense-switching
- Tension-building
- The End
- The magic first hundred words
- Time between sale & publication
- Title pages
- Titling your work
- Turn-around times
- University presses
- Unsolicited submissions
- Voice
- What if more than one agent asks to see my manuscript?
- What if they think my fictional protagonist is ME?
- What makes a great page 1?
- What standard format looks like
- What to ask an agent who offers to represent you
- What to bring to a conference
- What to wear to a conference
- When are the best and worst times to query?
- Why do I need an agent?
- Why generic queries don't work
- Why haven't I heard back yet?
- Why wasn't my comment posted?
- Women's fiction
- Word count
- Working with an agent
- Write what you know
- Writer's block
- Writers' Conferences 101
- Writers' groups
- Writing advice truisms
- Writing clichés
- Writing comedy
- Writing memoir
- Writing on dark topics
- Writing retreats
- Writing samples
- Writing space creation
- Writing taboos
- Your book's selling points
- Your next book
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