Let’s talk about this: winding up for the pitch…

I am planning to toss up one of my patented nice, long revision-oriented posts this afternoon, but before I do, a quick question: are many of you planning to be giving conference pitches this summer and fall? If so, would you like me to spend a few weeks going over how to pull it off gracefully.

Yes, I said a few weeks. This is me we are talking about, after all: I’m not a big fan of the unturned stone.

A few of you have approached me privately about this, and I’m inclined to think these brave souls are right about the time’s being ripe for a little stone-turning. I haven’t done a series on pitching in a couple of years — the combination of a slow economy, a novelty-shy literary market, and rising writers’ conference price tags seemed to have resulted in fewer members of the Author! Author! community shelling out the sometimes hefty dosh required to garner a pitch appointment. And, frankly, I’ve just seen what a local conference is sending out to its prospective attendees on the subject, and I’m guessing that some of you might like just a bit more practical guidance.

Like revision, pitching well is a matter of learning the ground rules — and practicing, practicing, practicing. It would be helpful for me to know, though, what kind of pitch sessions any of you may be considering; every conference has slightly different rules.

No need to name names — I’m just trying to get a sense of what you will be facing. Are those conference brochures and websites telling you to plan on 2 minutes? 10 minutes? 30 seconds? Three sentences max?

Also, for those of you who will be pitching for the first time, what (if anything) about the prospect is stressing you out the most? Writing the pitch itself? Staying within the aforementioned time constraints? Or will this be the first time you will have spoken face-to-face with someone in the publishing industry about your book?

Finally, for those of you who have pitched and lived to tell the tale, what do you most wish someone had told you before you shook hands with that agent or editor?

If those last few paragraphs sent your blood pressure skyrocketing, calm down: by the end of Pitchingpalooza, you will be able to handle any of these conversations with aplomb. Heck, your heart rate might not even rise when someone asks you, “So what do you write?”

Seem impossible? Believe me, it isn’t — but the more you can tell me about specific (or even general) concerns, the more I can tailor Pitchingpalooza to help you allay them.

So please speak up, campers — and, of course, keep up the good work!

Leave a Reply

Your email address will not be published. Required fields are marked *