Book marketing 101: Dear John, please don’t send a Dear Agent letter

Miss me over the holiday weekend? Actually, I didn’t refrain from posting because I was doing any of the standard Labor Day activities — all of the ambient barbequing in my neighborhood seemed to have triggered a headache of truly epic proportions. I know people want their briquettes to light, but honestly, is THAT much …

Book marketing 101: asking the right questions, some good news, and a goal!

It’s going to be a long one today, campers, but I can’t resist opening with a bit of good news: I sold a book yesterday! To be precise, my agent, the fabulous Jim McCarthy of DGLM (who will be attending a certain upcoming Conference That Shall Remain Nameless), successfully marketed my next nonfiction book, a …

Conference-gleaned wisdom, Part VI: fabricated suspense and other ways to annoy an agency screener without really trying

Sorry I missed posting yesterday — an editing client had a last-minute deadline rush. I’ll do an extra-long post today, the kind that will more than make up for that unpaid overtime your boss made you work last week, to make up for it. (Oh, as if no one ever surfed the net at work. …

The scariest Halloween ever: submitting your first page to a bunch of agents for critique

As some of you know, I attended a couple of literary contests this month, partially as teacher, partially as seeker of continuing education (which all writers, published or not, should do from time to time, to keep those skills fresh and project-ready), and partially as observer for you fine people. Bar none, there was one …

Writing standards III: dueling italics, and some information for those of you who attended the Surrey writers’ conference

Before I launch into specifics about italics today, I want to flag down those of you who attended the Surrey International Writers’ Conference last weekend — in particular, those of you who pitched to Cricket Pechstein or Jeffery McGraw, agents from the August Agency. A reader of this blog, experiencing post-conference difficulties in tracking down …

The ever-knotty question of what constitutes good writing

An old friend presented me with a stumper yesterday, campers: although neither a teacher nor a writer himself, Nate had just been asked to teach a writing class at work. Specifically, he had been allotted six hours in which to transform the prose stylings of the fine folks in another department from argumentatively sound but …

Another post on conference lore: riddle me this

I had intended to devote the rest of July’s post to what all of us like best, in-depth discussion of craft issues and self-editing tips, honest. However, I’ve been hearing enough local whimpers of terror about this weekend’s PNWA conference that I think another couple of days of practical, stress-reducing posts for conference pitchers might …

The threshold of difficult: a tale of three memoirists, or, can’t we all get along?

I’m getting back to you a few days later than I intended in posting, campers, but not for any of the usual reasons. Not that the usual reasons wouldn’t have been more than enough: this last week has been a festival of juggling my editing clients’ deadlines, adapting book promotion advice to the needs of …

Pitchingpalooza, part XXIV: the bare necessities of conference life

Okay, so maybe a gin-and-tonic isn’t actually a necessity of conference life. However, if an alien descended from the planet Targ to make the rounds of a few dozen writers’ conferences, you could hardly blame him/her/it from reaching that conclusion. I’m not saying that people drink a lot at writers’ conferences. I’m just saying that …

Pitchingpalooza, part II: resisting the urge to run screaming

Happy Bastille Day, everyone! How are you all feeling after our first foray into pitching, the much-feared practice of approaching an agent face-to-face to try to interest her in your manuscript, rather than via the far less intimidating query letter or e-mail? That good, eh? If I had to picture the array of your reactions, …

Just what am I getting myself into? Part II: the money matters

After our long, in-depth foray into the delights of standard format for manuscripts, and as a segue into what I hope will be an extended romp through craft, with particular emphasis upon problems that tend to generate knee-jerk rejection responses, I’m devoting a few days this week to explaining briefly how a manuscript moves from …

Speaking of dialogue revision, part V: genius is no excuse for lack of polish, or, quoth the raven, “Next!”

What a week it has been, campers! On top of the annoying crutches, the difficult physical therapy, and the seemingly endless series of doctors’ appointments, I seem somehow to have contracted a cold. Can’t imagine how that happened, spending all of that time next to sneezers in medical waiting rooms… Fortunately, my will to communicate …

Speaking of dialogue revision, part III: avert your eyes, children

I find myself in a quandary today, campers: I want to announce — nay, trumpet — the release of FAAB (Friend of Author! Author! Blog) Mike Sacks’ new book, SEX: OUR BODIES, OUR JUNK from Random House today. Don’t get me wrong — I don’t have any reservations at all about recommending this hilarious take-off …

Speaking of dialogue revision, part II: let’s revisit dialogue repetition…repetition…repetition…

For those of you who haven’t joined us for a week or two, I’ve been busy spending my doctor-ordered take-it-easy-on-the-hands time by re-running a few older posts. Specifically, posts at least marginally related to the topic we were discussing when a car crash so rudely interrupted us: writing and revising dialogue so it rings true, …